The Making Of Series (8th Edition) "Nasty Talk"

Bodacious was a young girl that fit into the Michael Jackson Definition of P.Y.T.
She told Kwin She wanted to Rap in the studio with him.
Kwin and her wrote this together at her apartment.
Shallow charged 4 or 5 times the normal amount for this beat.
They took much longer to record this because it was Bo's first time in a studio and she needed to get confertable.
Garageband Records selected this song to appear on their Various Artist Release:
"Best of Urban Underground 2002".
Bo was living with a husband when Kwin last seen her on the west end of Richmond. She is doing well.

The Making Of Series (7th Edition) "Toast the Cheers"

This beat was made at 72nd and Lindenberg by a Producer who also produces a Philadelphia Local Legend:
Montana Black

Kwin MD had already sold the Roland 880 EX when this was recorded, but with the rights to this beat, Omega Redd came to APG Studios and the 2 of them recorded this.

Kwin mixed it and recorded it. Looking Back Kwin could have done a better job mixing this one down.

The Making Of Series (6th Edition) "Waite in Line"

The same MC from a song called "Judgement Night REMIX" who was on the 3rd and final verse is the man who provided the beat for "Waite in Line" he was also Shallow's partner when Shallow decided to try and make his own label with this man known as Mike Pacino....Pacino asked Kwin to flow on this beat to see what kind of flow Kwin would bring to it. This was like a test of Kwin's skill by Mike Pacino and Kwin accepted the challenge.

Mike Pacino was also Espanosa's partner in a Rap group called Degree's of Realness.

They both, along with Shallow still make music for this group called Degrees of Realness and all 3 of them live in Richmond, Va and are all 3 from Richmond....

Kwin had been single at the time and some what a "Bar Fly", you know, One Night Standing Chicks, but looking for love...

In 2001, this song was a reflection of everything Kwin was feeling at the time...

THE MAKING OF SERIES (5th Ed.)

I know i missed a day again.

The 5th making of song in this series is THROW DOWN a song made less then one month after the making of 4th edition. When champain came to Richmond, he heard this beat. Kwin had not purchased the rights from Shallow till that month after the "Decompose" song was recorded at Shallow's Studio.

Unlike Decompose, Shallow was selling the beat for THROW DOWN for that kind of money.

With out giving away it all way, Kwin MD purchased the rights to this Shallow beat for 4 times the amount he purchased the right for decompose's beat by Shallow aka NVISIBLE BEATS.

on the boilahmaker sippah album by KWIN MD aka McKoman Doni the macadocious pimp sippin Koman Don Con-E-YAK WIT E-N-J Erk & JErk.....

Aka: The "Boilahmaker Sippah" album (Click the title for info)

The original Decompose had added a skit from the S.O.A.z album to connect "Decompose" and "Throw Down"

Throw Down Making of the song was the funnest of all time with Shallow.
Kwin MD and Shallow had more fun recording this one then ever before.

There was the vocoder that T Pain & Snoop use in latest hits, but them along with that Roger or whoever that guy was the piano vocoder, Shallow, na Mean, played the keys. Kwin sang:

"Kwin MD is Takin Over Now"

This part of the intro is preceeded by a sample that Kwin Mixed between a Bomb & Jazz....

Then the Flow......
Then the 3rd hook repeats, and then the walkie talkie part:

Shallow handed Kwin Head phone extention cords, Kwin went far away, with a Walkie Takie with the live studio recording his walkie words live to the beat....

Most over the Congress lyrics at the end where written in 1998 in Atlanta where Kwin was living at that time. On that part Kwin Add Libs 2001 because that was the date he recorded it not wrote it. In Atlanta Kwin was 17 and basically Locked Down at a Boarding School that he was court ordered to go to because or 2 VA high schools Kicking him out and Mad trouble in school, but that event happened for the best, Kwin Did turn 18 and find a school in Philly to graduate from....In High School Kwin lived the "Throw Down", but the thing is, the military displine at that school in georgia did bless Kwin with Wisdom, Respect, and Work Ethic.
I believe it helped make Kwin MD the man he is today.

Omega Redd and Va'les did a remix to this song with Kwin in 2003. They also remixed a classic Omega Redd song too called "War Time" around the same time. Those might both get the Making Of Series one day......

When "Throw Down" was made, People loved this song. In Richmond, Va it was playing on 106.5 the beat. PL loved this song. He was mad that Omega Redd and Va'Les did the remix with out him....The remix didn't make it to the Boilahmaker Sippah Album. For both remixes mentioned (like most remixes) the Orginals Are Better....Like How One can be a Eagles fan, right now, admitt it the Patriots are better....Next Year, May Be Differant story, in this case "War Time" & "Throw Down" Originals sound Better then the Remixes....

Man I missed Friday, but it's the WeekEND Can't a playah Boilahmaker Sip, Like a MaC a Docious Pimp for one Day?

I mean One?

One?

How Bout 4?


3?


2?

0?

YOU ARE NOT THE BOSS OF (ME)THE BOSS(MICK DEEZY)

The Making Of Series (4th Edition) "Decompose"

"DECOMPOSE"

Written in the year 2001.........By D. Jacobs AKA CHAMPAIN AKA NEW JACK

AND

R. QUINN AKA MCKOMAN DONI AKA KWIN MD

The Making of this song was a nice backround story itself.

Kwin had been living in Virninia for about a year since moving from Philly in 2000....His 3rd move to VA...

A FULL YEAR FROM THAT MOVE FROM PHILLY TO VIRGINIA CHAMPAIN AND KWIN WERE VERY CLOSE STILL.

Kwin used to drive up to Philly like 3 weekends a month to visit. His Girlfriend still lived there, his peoples, and CHAMPAIN WAS LIVING THERE AT THAT TIME.

When Kwin 1st Collaborated with Shallow in the year 2000, he went to Philly to play the music FOR CHAMPAIN, and CHAMPAIN loved it, he heard "WE CAN'T WHAT", "MONEY", "I SEEN ENOUGH", and "MICROPHONE SOLO".

"Microphone Solo" wasn't new to Pain because Kwin Had Recorded some of those lyrics in 1999 with Splash City (GERMANTOWN) while Pain was in the studio and after words too....The Shallow version of this song and the other Shallow Produced Songs were why Pain was so impressed and felt as though he had to make a trip to Virginia and meet Shallow.

They Drove down from Philly, they recorded many songs and "DECOMPOSE" was one of them.

1 Year or so after this was recorded, CHAMPAIN moved down to his original home town Jacksonville, Fla.

He has been living in Florida ever since. Kwin and Him still keep in touch. He has changed his name to NEW JACK and has a record label affliations.

CHAMPAIN was the main featuring artist on Kwin MD's first album "Step ino my office..." and Is the main featuring artist of "THE PREQUAL...Step into my Office."

Both MCs voices are the hook.

Shallow Recorded, Mixed, and Produced this song.

Mad Flavor Ent. signed Kwin MD and had the rights to this song.

The Contact was void so APG FORX OWNS THE SONG RIGHTS.

Champain in The City of Richmond, with Kwin MD and Shallow aka Nvisible Beats

The Making Of Series (3rd Edition) "After I'm Gone"

The # Two song on the Track Order of the "Boilahmaker Sippah" album.

Sal Graci made the beat and used it in the agreement he made with Kwin as Payment to Studio Time with Kwin & Mix Down Hours at APG Forx Studios...

Kwin had an orignial idea for this beat. This Interself Production Sal Graci made beat was only about 1 or 2 minutes long, so, rather then loop it to make it fit a typical song format, Kwin thought of Two Ways he could use it....

He first thought he could use it like the 2nd part of "Walkin Thru the Jungle", as a beat change for the 3rd Verse...

He did that in a song he first recorded using this beat called "The Mighty Kwin"...The first beat was the beat later used again on "Fast Pace World"...but the "Mighty Kwin" song (although well recieved and liked by Sal Graci & Va'Les) was not going to be released because Kwin thought it lacked the energy & the production & his own Flow Delivery on that song were not good enough...

So when Kwin Decided to scrap the "Mighy Kwin" song, those 2 beats were in the line up of songs that could recorded...

The Other Way Kwin thought this beat could be used with out Looping it is the way this was recorded. Quick....

The Phone Call was made to Kwin's House Phone & on the Voicemail this song's vocals were layed while Kwin Simultaniously listened to this Sal Graci Beat with One Head Phone on...Then with the Roland 880 EX, the Voicemail was recorded & layed to a track...At APG Studios this was mixed down....

The Making Of Series (2nd Edition) "Billion Men Marching"

Happy New Year yall....

This song was made on the Roland 880 EX at APG Forx Studios.
The first time Kwin Recorded a song on this Shallow aka Nvisible Beat was in Richmond Virginia in 2001.
"I Shed Blood" with scratches by Shallow as well.
The lyrics Kwin Did on that were not good enough for releasing in his oppinion and he wanted to do something differantly on this beat.

The Introductory words for the album are slowed down DJ Screw Style, real real slow...

Then The whole Delivery was made in the style that Kwin MD felt when he wrote it.

The second recording was done in 2004....Kwin Layed it & Kwin Mixed it.